分類：Artist

YIA ART FAIR#02

October 31 – November, 4 2019

Le Rivoli Building – 118 Rue de Rivoli,75001, PARIS

Opening: October 31, 12pm (Invited Guests Only)

V&E ART Stand: N1

黃建樺，2003年畢業於台灣藝術大學雕塑學系，2003至2006年於國立台南藝術大學造形藝術所就讀時轉而趨向影像創作，試圖將對實體時間空間的存在獨有看法帶入當代科技影像。現於國立台南藝術大學藝術創作理論研究所攻讀博士學位，持續對人類存在於影像時代的身分定位做探討。

近年來參與國內外各項主要展出包括《2005高雄獎》於高雄市立美術館、《INDEPENDANT@RICE+》於東京(日本，2005)、《城市曼波》於雪梨Stone Villa(澳洲，2006)、《第二種視野》於國立台灣美術館(台中，2008)、《永恆的成人遊戲工廠》於關渡美術館(台北，2008)、《粉樂町當代藝術展》(台北富邦藝術基金會，2008)、《2009YOUNG ART TAIPEI–台北國際當代藝術博覽會》及《輕度》於國立台灣美術館數位藝術方舟(台中，2009)。並於2008年於日本岐阜文化中心舉辦個展《我不乖》。主要獲獎紀錄為2003年台北美術獎優選、2005年高雄美術獎首獎、2008年國家文化藝術基金會國際交流補助。作品並獲高雄市立美術館、國立台灣美術館等典藏。

面對當代，黃建樺提到「我們在一個越出的變形弔詭世界中游移，我們樂在其中，而且已經樂到失去辨別判準的能力。」近年來，他持續觀察類閾界現象於媒體時代，由符碼、語言戲局、表徵體系所產出的影像動勢，在這數位時代視野的切換與相對應的生存經驗中，如何以直接而親密的方式和世人的智慧建立了關聯，進而凝塑出帶有脫序趣味的人性寓言。

Huang Chien-Hua received his BFA in 2003 from National Taiwan University of Arts, Department of Sculpture, and MFA in 2006 from Graduate Institute of Plastic Arts at Tainan National University of the Arts.  During the time in Tainan, his work shifted towards image making.  Huang conveys his view on time and space with contemporary digital photography.  Currently he is a PhD candidate at the Tainan National University of the Arts, Department of Art Creation and Theory, continuing his investigation on the identity of human existence in an image driven age. His works are being exhibited internationally and are in the collection of Kaohsiung Museum of Fine Arts and National Taiwan Museum of Fine Arts.

In regard to contemporaneity, Huang Chien-Hua commented: “We are drifting in a paradoxical world. We find pleasure in it, but we lost our ability to discern.”  He has extensively observed the liminoid phenomena through signage, word play, and representation in the media era; with experiences existing in a digital age and shifting perspectives, Huang relates to the world’s wisdom in the most intimate and direct way, and tells a disorderly yet delightful parable of human nature.

展出系列作品：編 碼 者 Transcoder

群眾們彼此駐足觀看,於眼神交集的瞬間引起了對多方關係的好奇,也在人們心中留下期待的景象。人們對於世界的想望,使遊樂園成為一座啟幕的舞台。

樂園機制的運作猶如社會架構的縮影,眼前的場景映現著對世界樣貌的想像與夢想的追尋,事件的描述源自於社群媒體的演繹與人們解讀訊息的自由,並透過遊戲體現出日常生活的行為與集體效應,成為反映文化樣態的詼諧模型。對應於動物們所呈顯的是人們存在於社會機制的身分關係,行為中隱藏著多重意圖與曖昧隱喻,情緒上更著微妙的自溺、戲謔與不合時宜的角色認同,而人們的臆測則開啟了對象與體制的權力劇場,劇情的開展於此邁向了自我價值的辨證旅程。

攝像操控所帶出的意識滑動與和影像所召喚出意外情感,引導著人們透過擬像自體再造的視覺經驗與無可定論的集體行為,持續地編寫著故事,透過漫遊與映射瞬時變換內心意象,部署迷人閃動的星叢語體。這是多幕彼此疊映與場景交錯的當代寓言,之中隱含著關於社會形態、生存機制與角色身份的相互指涉。透過聚集與現身,光、迴旋、動物們似乎在預告著人們將進入一個社群文化重新編碼的時代。

Exhibited Series of work: Transcoder

People make a stop to look at one another. Their eye contact arouses their genuine curiosity about such multilateral relationships that go so far as to conjure up visions for the future. The visualization people have of this world has turned the amusement park into a stage behind a rising curtain.

The operation of this amusement park is little less than a microcosm of the society. The scenes unfold before us, showing people’s mental power to picture the world and their pursuit of dreams. The descriptions of multifarious events are based on the algorithms of social media and users’ interpretations of messages. They embody quotidian routines and collective effects by means of games, thereby serving as the models that parody our cultural modality. The animals in this amusement park express people’s social identities; and their actions brim with deliberate intentions and ambiguous metaphors. Besides, they take on self-indulgent, bantering and mistimed role identities, and the game of power between the referents and the system begins with the viewers’ speculations. The plot unfolds thereafter as a dialectical voyage of defining self-value.

The consciousness-altering photo manipulation and the sentiment-arousing images shepherd the viewers to continuously write stories by means of autopoetic visual experiences and inconclusive collective actions, and to develop a fascinating, starry constellation of styles by conjuring up sudden visions through rambling and mapping. This is a contemporary allegory in which acts overlap and scenes intersect with one another. It contains mutual references among social structures, survival mechanisms and role identities. By virtue of rendezvous and appearance, the light, the carousel and the animals lingering in the amusement park seem to portend an era of re-coded social media culture.

主要個展

2018 《FOTOFEVER》,CARROUSEL DU LOUVRE,巴黎,法國。

2016 《編碼者》,INART SPACE,台南,台灣。

2015 《The Manipulator》,Okinawa Contemporary Art Center,沖繩,日本。

2012 《雜碎寓言》,INART SPACE,台南,台灣。

2010 《空景》,奧克蘭 UNITEC 大學,奧克蘭,紐西蘭。

2008 《我不乖》,岐阜文化中心,日本。

主要聯展

2019 《透視假面–甜楚現代性》,克拉斯諾亞爾斯克美術館,克拉斯諾亞爾斯克,俄羅斯。

2019 《影像焦慮》,國立台灣美術館,台中,台灣。

2018 《生活動物園》,人文遠雄博物館,新北,台灣

2018 《Fotofever – Photography Art Fair》,Carrousel du Louvre,巴黎,法國。

2018 《盛放台灣》,駐新加坡台北辦事處, 新加坡市,新加坡。

2018 《台北國際攝影節 – 境外・內爆》,中正紀念堂,台北,台灣。

2017 《Fotofever – Photography Art Fair》,Carrousel du Louvre,巴黎,法國。

2017 《「非常時期」非常廟二十週年展》,VT Artsalon,台北,台灣。

2017 《動物派對》,駁二藝術特區,高雄,台灣。

2016 《Fotofever – Photography Art Fair》,Carrousel du Louvre,巴黎,法國。

2016 《連州國際攝影年展》,廣東,中國。

2016 《時代的位移》,高雄市立美術館,高雄,台灣。

2015 《台北國際藝術博覽會》,台北世界貿易中心,台北,台灣。

2015 《夢・棲地 – 館藏青年藝術主題展》,國立台灣美術館,台中,台灣。

2014 《台北國際藝術博覽會》,台北世界貿易中心,台北,台灣。

2014 《日本台灣新世代藝術家交流展》,Artislong Gallery,京都,日本。

2003 《2003 台北美術獎》,台北市立美術館,台北,台灣。

獲獎

2012 獲選國立台灣美術館 Yes, Taiwan! 2012 Taiwan Biennial「台灣報到-台灣美術雙年展」參展藝術家。

2011 獲選國立台南藝術大學「DELTA 亞州生活手勢」出訪北京中央美術學院交流藝術家。

2010 獲選出訪亞洲紐西蘭基金會 Asia New Zealand Foundation 藝術家駐村計劃,台北國際藝術村。

2005 高雄美術獎,首獎。

2004 第 58 屆全省美展,雕塑類第三名。

2003 台北美術獎,優選。

典藏

白兔美術館,澳洲。

Psychic Temple,美國。

文化部藝術銀行,台灣。

高雄市立美術館,台灣。

國立台灣美術館,台灣。

Selected Solo Exhibitions

2018 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.

2016 Transcoder, INART Space, Tainan, Taiwan.

2015 The Manipulator, Okinawa Contemporary Art Center, Okinawa, Japan.

2012 Trivial Fables, INART Space, Tainan, Taiwan.

2010 BLANKSCAPE, UNITEC university, Auckland, New Zealand.

2008 I don’t follow the rules, Gifu City Culture Center, Japan.

Selected Group Exhibitions

2019 Behind the Mask: Rose of Modernity, Museum Center Krasnoyarsk, Krasnoyarsk, Russia.

2019 Anxiety of Images, National Taiwan Museum of Fine Arts, Taichung, Taiwan.

2018 Beyond Zoology:Humans and Animals, Farglory Museums, New Taipei, Taiwan.

2018 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.

2018 Taiwan in Full Bloom, Taipei Representative Office in Singapore, Singapore City, Singapore.

2018 TAIPEI PHOTO – External Impact X Internal Explosin, National Chiang Kai-Shek Memorial

Hall, Taipei, Taiwan.

2017 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.

2017 Very Period, VT Artsalon, Taipei, Taiwan.

2017 PIER ZOO, The Pier-2 Art Center, Kaohsiung, Taiwan.

2016 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.

2016 Lianzhou Foto Fastival, Guangdong, China.

2016 Transition of Times, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan.

2015 Dreams – Habitations, , National Taiwan Museum of Fine Arts, Taichung, Taiwan.

2015 ART TAIPEI 2015, Taipei World Trade Center Hall, Taipei, Taiwan.

2014 The 2nd International Young Artists Exchange Exhibition JAPAN x TAIWAN, Artislong Gallery,

Kyoto, Japan.

2014 ART TAIPEI 2014, Taipei World Trade Center Hall, Taipei, Taiwan.

2003 Taipei Arts Award, Taipei Fine Arts Museum, Taipei, Taiwan.

Awards & Honors

2012 Participating Artists.Yes, Taiwan-Taiwan Biennial, National Taiwan Museum of Fine Arts.

2010 Residency artist, 2010 Internation Residence project for Asia New Zealand Foundation, Taipei

Artist Village.

2005 First Prize, Kaohsiung Awards 2005.

2004 Bronze Prize, The 58th Taiwan Provincial Fine Arts Exhibition.

2003 Honorable Mention, Taipei Arts Award.

Public Collection

White Rabbit Gallery, Sydney, Australia.

Psychic Temple,U.S.A.

Art bank, Ministry of Culture, Taiwan.

National Taiwan Museum of Fine Arts, Taiwan.

Kaohsiung Museum of Fine Arts, Taiwan.

“他深刻的圖像，就像音樂和節奏一樣優美”

“ His profound images, as beautiful as music and rhythm”

YIA ART FAIR#02

October 31 – November, 4 2019

Le Rivoli Building – 118 Rue de Rivoli,75001, PARIS

Opening: October 31, 12pm (Invited Guests Only)

V&E ART Stand: N1

Seven YCH，台灣藝術家，同時也是獲獎作家和策展人。從90年代上大學起就開始練習現代藝術攝影。於2002年畢業於北京電影學院電影導演專業，獲碩士學位。目前攝影作品已經常於國際上展出，並被多間私人企業及全世界的藏家收藏。

Seven YCH, Taiwanese Artist, literature-award-wining poet/writer, and the curator. He started to practice his modern art photography while he was at the university in the ’90s. He graduated with M.A. in film-directing from Beijing Film Academy in 2002. His photography has been exhibited internationally and has been collected by private corp. and collectors all over the world.

Seven YCH 喜歡探索事物的矛盾之處。他擁抱寒冷中的溫暖，接受混亂中的偶然，從微觀通往宏觀，從確定性中喚起抽象性。他認為唯一能夠實現空虛的是詩意感。近年來，他潛心研究混合內在與外在景觀的新領域，描繪心理狀態的現實，並提出了有趣的無邊際的故事的獨特圖像。

YCH is interested in exploring the contrariety of the objects. He likes to embrace the warmth in the coldness and to accept the serendipity amidst the chaos, to evoke the immensity from the insignificance as well as the abstract from the certainty. He believes the only thing that can fulfill the emptiness is the poetic sentiment. In late years, he dives into a new territory of mixing inner and outer landscapes, depicting the realities of mental state, and comes out with intriguing unique images of spacious stories.

此次展出的系列作品，藝術家持續進行對於「質地」的思考。而在人類腦袋裡迂迴飛轉並脫俗超凡的，是名為想像力的透明「質地」，深深吸引著他。運用想像，可以讓水成為鏡子再成為自我的虛像；想像可以是從前是現在也是以後；想像墊高了科學、藝術、以及文明的維度；想像是隱喻的也是象徵的；想像是藝術家欣然接受並戴上的一頂王冕，而這頂神聖的王冕，讓宇宙中任何人，皆有能力往來俗世和宇宙時空之間，不費微力。人，生為一種俗世裡的「物質」，卻被給予了超越俗世位階的權柄，詩意因此存在。

From the exhibited series of works, YCH continues the exploration of “Texture”. He is trying to see through the “Substance” in mankind with the collage images and the poetic shadows. In his images, referring the imagination as the “Texture", lead the viewers to fly effortlessly into a transparent spacious land. From the artist’s point of view, the ability of mankind to imagine can be considered as a marvelous gift that allows us to travel through time and space, from a momento to eternity, from the beginning till the end.

EXHIBITION：

2018  HOLY CROWNS / NO. TWO : THE ANIMALISM IN ANIMA | group | A Day Gallery | Taipei City Taiwan

2017  HOLY CROWNS / NO. ONE : THE TEXTURE OF IMAGINATION | solo | A Day Gallery | Taipei City Taiwan

2014  BEING | solo | 73 Gallery | Taipei City Taiwan

2008  LOW | the New York Asian Art Fair | group | Lincoln Center | NYC USA

2007  LE VOYAGE AU PRINTEMPS | solo | Whotogether Gallery | Taichung City Taiwan

2007  ELEVATION | solo | Sofitel Hotel Gallery | Bangkok Thailand

AWARD：

2007  International Photography Award | honorably mentioned | categories in architecture/ interiors, fine art/ still life, special/ other, nature/ trees, people/ children, people/ family, people/ portrait, etc.

2006  the National Art Museum collection project | finalist 

CURATOR：

2019  TEA READING | Eslite Bookstore & 73 Gallery | Taipei City Taiwan

2019  THE CARNIVAL IN BABEL | Woolloomooloo Gallery | Taipei City Taiwan

2018  HOLY CROWNS / NO. TWO : THE ANIMALISM IN ANIMA | A Day Gallery | Taipei City Taiwan

2017  HERMES X BVL | Bellavita Boutique | Taipei City Taiwan

OTHER :

2006  TO BE MEMORIZED, OR FORGOTTEN | officially screening | categories in documentary | Austin Film Festival | Texas USA

2002  THE OTHER MOON | silver prize | categories in documentary | East International TV Station Award | Shanghai China

1998  THE TALE OF SENSIBILITY | golden prize | categories in poetry | Golden Camel Award | Taipei City Taiwan

王艾斯 (Wang IS，本名王聖文)，現居台灣，擅長人像、景觀及建築作品創作，喜歡用獨特的視角，嘗試透過攝影角度呈現作品面貌，藉此探索影像的多變性與可能性。獲得多項國際大獎，2017年獲得「巴黎PX3 ;巴黎國際攝影比賽」藝術特效類第一名，二度獲得台灣藝術銀行購藏。

Wang IS, Taiwanese Photographer, experts in figures, urban scenery, and architecture photos. In order to explore the variability and possibility in images, he tries to present the origin of creations by shooting the images with his unique perspective. He has great experiences in winning international awards,  such as the First Prize of Paris PX3 2017 Professional Fine Art/Digitally Enhanced in 2017, and have been collected by the Institution “Art Bank” in Taiwan.

YIA ART FAIR#02

October 31 – November, 4 2019

Le Rivoli Building – 118 Rue de Rivoli,75001, PARIS

Opening: October 31, 12pm (Invited Guests Only)

V&E ART Stand: N1

基於自身對建築空間的熱愛，王艾斯一直不斷嘗試空間攝影創作，在2016年開始發想執行的「X-Y建築立面」系列作品，以Ｘ-Y 建築立面的概念,顛覆對於建築攝影的觀念。

「當面對由垂直及水平所構成的建築立面時，隨著觀賞角度不同，景觀將呈現不同程度變化。我想探索在複雜的當代建築群中，景觀變化的可能性能夠有多少種。」

Based on his passion for architectural space, Wang has been experimenting to explore space through photography. Starting from 2016, he began to implement the “XY Building Facade" series, trying to subvert the concept of how people think of the architecture photos by his “X-Y Building Facades” series.

“When people face the facade constructed in the vertical and horizontal line, the architecture will show various changes with different viewing angles. I long to explore how many varieties of landscape view can be changed of those complex contemporary buildings."

王艾斯想找到有別於一般觀看建築的方式，他嘗試透過攝影角度呈現更多建築的面貌，他通常會嘗試兩到四種不同拍攝角度，藉此探索當代建築的多變性與可能性。目前，他聚焦於台灣大型當代特色建築，包含故宮南院、十三行博物館與中台灣創新園區等，均是他拍攝的主角，此次展出的作品即為台灣苗栗客家文化園區的三種面向。未來，他也將繼續以他獨特的視角去發掘更多國內外特色建築的可能性。

Wang longs to find a way to distinguish it from the general view of architecture. He tries to present more architectural features through his photography. The Artist usually tries two or four different shooting angles to explore the variability and possibility of contemporary architecture. He is now focusing on Taiwan’s large-scale contemporary architecture, including the National Palace Museum and National Operas. The exhibited works here are the three points of view of the Hakka Cultural Park in Miaoli,Taiwan.

• 

• 

國際影像比賽職業組得獎紀錄 Awards:

●2017年「MIFA;莫斯科國際攝影比賽」抽象類第一名及建築類第三名

MOSCOW 2017 Professiona Fine Art-Abstract  First Prize、Architecture-Buildings 3rd Prize

●2017年「PX3 ;巴黎國際攝影比賽」藝術特效類第一名

PX3 2017 Professional Fine Art/Digitally Enhanced First Prize

●2016年「PX3 ;巴黎國際攝影比賽」職業組廣告類2面榮譽獎

PX3 2016 Professional Advertising/Architecture、Advertising/Fashion ,a total of 2 surface Honorable Mention

●2015年「PX3 ;巴黎國際攝影比賽」人民人氣票選廣告類第三名及3面榮譽獎 

PX3 2015 Professional People’s Choice Advertising/Other_AD Third Prize 

PX3 2015 Professional Advertising/Beauty、Nature/Landscape_N、Fine Art/Other_FA ,a total of 3 surface Honorable Mention 

●2014年「MIFA;莫斯科國際攝影比賽」建築類及彩妝類2面榮譽獎 

MOSCOW 2014 Professional  Architecture/Buildings 、Advertising/Fashion ,a total of 2 surface Honorable Mention

●2014年「PX3 ;巴黎國際攝影比賽」第二名、第三名及2面榮譽獎 

PX3 2014 Professional Advertising/Beauty Silver 

PX3 2014 Professional Advertising/Beauty Bronze 

PX3 2014 Professional Portraiture/Self-Portrait、Portraiture/Children,a total of 2 surface Honorable Mention 

歷年主要展覽 Exhibitions: 

●2019 巴黎 YIA 當代藝術博覽會#02，巴黎，法國

YIA ART FAIR#02, Le Rivoli Building, Paris, France

●2019「2019夏季當代攝影沙龍展」，台北收藏交易中心，台北市，台灣

2019 「Contemporary Photo Salon Summer 2019」, Auction Center Taipei, Taipei City, Taiwan

●2018-2019非自然現象，藝術銀行，台中市，台灣
2018-2019 Sanction of ambition, Art Bank, Taichung city, Taiwan

●2018 「X-Y建築立面」，PhotoShopping攝影博覽會，法國巴黎羅浮宮

2018 “X-Y Building Facade”, PhotoShopping art fair, Carrousel du Louvre, Paris, France

●2018 「X-Y建築立面」攝影個展，國際機場藝文特區，台灣桃園

2018 “X-Y Building Facade” Photography exhibition, International Airport Cultural and Artistic exhibition, Taoyuan, Taiwan

●2018「X-Y建築立面」達帕亞洲攝影藝術博覽會，台灣台北市

2018“X-Y Building Facade”, Digital Art Photography in Asia, Taipei City, Taiwan

●2017「X-Y建築立面」，福爾摩沙國藝術博覽會，台灣台北市

2017 “X-Y Building Facade”, Formosa Art Show, Taipei City, Taiwan 

●2016 「XYZ的建築與景觀群像」Fotofever攝影博覽會，法國巴黎羅浮宮卡爾塞廳

2016 “Building Portraits and the x-y-z axis”, fotofever art fair, Carrousel du Louvre, Paris, France 

郭彥甫：「旅行從A點到B點的觀念有一股穿梭在時間與空間當中的意念，行李箱打開呈現的是當事人所有的秘密與所有最親密又分不開的關係，在時空中反射出人性面…」

“The concept of traveling from point A to point B contains a idea of moving through time and space. The unpacking of the suitcase presents all the secrets, all the most intimate and inseparable relationships, reflecting humanity in time and space…" – Yen Fu KUO

現為藝術家、創意表演家與演員，出生於台灣。曾以歌唱團體出道，作品跨足音樂、主持、戲劇、時尚模特兒等各領域，在各領域轉換角色的過程中，藝術家嘗試提升感官敏感度，去深入感受人類行為及其心理狀態，再融入自己獨特創作語彙以作品呈現所感受的世界。對郭彥甫而言，藝術是繁忙世界裡最寧靜平和之處，允許作品與自己深度對話的機會，逐步成熟其創作理念並建立起充滿個性的藝術標誌。作品多次於國際展出，2018年受邀在法國羅浮宮卡爾塞廳展覽，2019年於威尼斯雙年展、 釜山藝術博覽會、臺北當代藝術館展出，2020將在上海舉辦個展。

Painter, creative performer and actor, born in Taiwan, has been a pop singer, a model and a TV show host. However, he changed his career in the entertainment industry and chose to work in the art field, to develop a passion he has had since childhood. In the process of changing roles in various fields, the artist tries to enhance the sensitivity, to deeply understand human behavior and its psychological state, and to integrate into its unique artistic approach to present the modern world. For Kuo, art retain the peaceful corner in the chaotic world, and offering the opportunity to make the deep dialogue with his works. He has been invited to exhibit worldwide. In 2018, he has been invited to exhibit in the Salles du Carrousel of the Louvre in Paris, 021 Shanghai Art FairArt, and in 2019 Venice Biennale and Art Busan.

“我曾經做過的所有重要事情都可以放進一個小行李箱裡。”當馬塞爾·杜尚（Marcel Duchamp）在1952年說出這句話時，在某種程度上指的是他的行李箱藝術傑作《 行李箱里的盒子》（Boîte-en-valise），另一部分則是指行李箱如何在一個矩形單元空間中容納我們的整個生活。一直以來，行李箱對於所有流派的藝術家都帶來相當的啟發性，部分原因是它們的實用性，但主要歸功於其強大而多功能的象徵效果。行李箱經常象徵旅行，無論是作為一種休閒還是一種必需品。一方面，行李箱藝術品的存在，它們代表著其所有者的享樂主義，或是游牧式的生活方式，例如布魯斯·康納（Bruce Conner）和馬塞爾·德扎瑪（Marcel Dzama）的作品；另一方面，行李箱內容物品也揭示了其所有者的親密關係和無意識的自我身份認同，提供觀者另一個角度觀察人類關係曖昧不明的邊界。最終，這些可移動的物件開始具有自己的微觀宇宙，其中包含了過去或即將到來的未來。

“Everything important I have ever done can be put into a little suitcase” when Marcel Duchamp said in 1952, he was partly referring to his suitcase art masterpiece – Boîte-en-valise (Box in a Valise) and partly to the inherent ability of how suitcase contains our entire lives in a unit rectangular space. Throughout the ages, suitcases proved inspiring for artists of all genres and sensibilities partly due to their availability, but mostly due to their powerful and versatile symbolic effect. 

Suitcases often symbolize travel whether as an act of pleasure or as a necessity. On one side we have suitcase art pieces that represent hedonistic, nomadic lifestyles of its owners, like those made by Bruce Conner and Marcel Dzama, on the other, the packed items of the owner also reveal the intimacy and the unconscious self-identity which brought up the blur boundaries of human relationship from another perspective. Finally, these transportable objects can host a microcosm of their own composed of items that evoke either time past or the upcoming future.

自2015年起，藝術家專注於描繪各式各樣的行李箱，從此一系列作品中可以發現郭彥甫透過詼諧並保留想像空間的藝術手法將行李箱內的微觀世界重新解構，進而揭露出人性的另一種樣貌，向當代社會提出「何謂真實」的詰問，更進一步打破一般對人類心理狀態描述的絕對定律。本次展出的全新作品《 運動女孩》與《 鋼鐵父親》一方面邀請觀者透過打破和重建的方式與行李箱擁有者進行對話，一方面從微觀宇宙中的時空中重譯我們處在的宏觀世界。

郭彥甫從人性的窺探之中，重新定義對於藝術的解讀：「每個人需要的僅是從生命中找尋能夠好好活著的理由，因為人生而存在必有其因，而藝術創作之於我，就是生命力與故事性的源頭。」

Since 2015, the artist has focused on depicting a wide variety of suitcases. From the symbolic effects of a series of works, Kuo reveals another kind of reality of the humanity by re-deconstructing the microcosm in the suitcase through humorous and imaginative approach, thus put forward the question of “what is the reality?” to the contemporary society, and finally breaks the absolute rule of the description of the general human psychological state. The new works “Sports Girl" and “Iron Father" on the one hand invite viewers to dialogue with the owner of the suitcase through breaking and rebuilding process, on the other hand, re-interpreting our presence in the Macro-world from the time and space in the microcosm.

While observing the humanity through his artistic approach, Kuo redefines the interpretation of Art: “Everyone needs only to find the reason for living well from life, because there always is a reason to be existing, so does the Art creation is meaning to me which represents the source of vitality and story."

2019 

YIA(Young International Art Fair) #01, Paris, France

Global Art Affairs Foundation, GAA Foundation-The Biennale Venise ,Venise, Italy

ART BUSAN, Busan, Korea 

2018 

Art Taipei, Taipei, Taiwan

021 Shanghai Art FairArt , Shanghai, China

Art Shopping, Paris, France

Taichung, Blueride Gallery, Gruop Exhibition, Taichung, Taiwan

Judge of Bulerider Talent Award, Taipei, Taiwan

2017

Artist residency in Taichung Art Museum, Taichung, Taiwan

Looking For Someone’s Suitcase, Fish Art Center, Solo exhibition, Taiwan

2016

London’s Global Art Fair, London, UE

Art Formosa, Taipei, Taiwan

2015

Solo Exhibition -ZOOmIN Kuo Yen Fu, Taiwan

Art Formosa, Taipei, Taiwan

2014

Taipei Young Art, Taipei, Taiwan

張騰遠：「鸚鵡人的出現是順其自然的，我生命中的經歷與旅行都會反應到這個角色裡面。」

“The creation of Parrot Man is natural. What I experienced and where I traveled will naturally reflect on this character.” Teng-Yuan CHANG

張騰遠，視覺藝術家，以反思當代為切入點，透過平面繪畫、動畫裝置，向下一個人類世代的過程樣貌提問。曾獲高雄美術獎首獎，台北美術獎優選。作品受國美館、藝術銀行及高美館等多所機構典藏。屢獲邀約，個展與聯展地點包括紐約、倫敦、科隆、東京、大阪，首爾、台北等地。現創作於台北，複眼藝術工作室負責人。

自2008首次個展開始，張騰遠不間斷地探討肉眼所見的視界，與個人所感知的世界之間相互連動的關係以想像未來，所探討的視角出發點一路跨越角色藩籬與物種界線，到近期嘗試於視角討論中加入第四維度—時間，角色設定因此從現存物種轉移至未來生物，為人所知的鸚鵡人系列因此於2012年誕生。

CHANG Teng-Yuan has committed to demonstrating the visual exploration of different species since his first solo exhibition in 2008 which has always been the most attained subject under CHANG’s paintbrush. CHANG’s experiments on the subject had trespassed the bounds of roles and species, in the recent stage adding up to the fourth dimension―time. The role he created changed from existing species to future creatures, bringing upon the iconic series, Parrot Man, in 2012.

相對於逝去的時間，張騰遠更專注於未來世界。在地球末日的數千年後，那時的地球上還存在什麼？藝術家使用獨特的調色構建超現實的山水景觀，並以完整劇情設定為藝術轉換定錨，將鸚鵡人系列故事背景設定於末日發生數千年之後：遠居於星際邊際的生物學家鸚鵡人降落地球進行所謂「未來考古」，以模仿地球人的行為做為研究地球文明的方法，而由於鸚鵡的模仿是片段性的，因此鸚鵡人多次偏執的模仿及再製行為經常誤判。張騰遠以詼諧幽默的手法一方面透過鸚鵡人之眼刻畫出對於未來的想像，企圖將現有世界的一切符號系統重新洗牌，另一方面則以明顯的時空距離標誌出鸚鵡人對於當代社會現象的疏離感，開啟觀眾對當代狀態與日常慣習進行重新思考的可能性。

Compared to the elapsed time, CHANG focuses more on the future. After the doom of the earth after thousands of years, what has been left? The artist constructs surreal landscapes and scenarios using a distinctive color palette that prophecizes doomsday archaeology. The thorough construction of plotline anchors CHANG’s art alteration. In the Parrot Man series, thousands of years after the doomsday, Parrot Man, a biologist living originally in a remote galaxy, lands on the earth to do the “Future archeology”, endeavoring to recreate earth creatures and phenomena with their high-tech foster techniques. Since the imitation from parrot men is segmental, the setting for parrot men’s research of Earth archaeology is with much misunderstanding and misinterpretation. On one hand, CHANG humorously portrays his future imagination by the perspective of Parrot Man; on the other hand, through explicit time-space distance, he stresses the estranged relationships between Parrot Man and modern society, meanwhile reflecting abnormality of all sorts of social phenomena through the perspective of Parrot Men. Through the multiple attempts of imitation and recreation by Parrot Men, CHANG leads the way to the gates for viewers to reconsider our habitus. 

此次展出的五張作品Information(資訊性)，Connection(關聯性)，Operation(執行力)，Relation(聯繫性)，Love(愛)，一直是他創作過程中不斷環繞的關鍵元素，可以發現鸚鵡人「未來考古」之地球旅程中，這五個詞就如同指引方位的指針，幫助藝術家在反思當代與想像科技的過程中疏理曖昧不清的種種當代現象與日常慣習的脈絡，也邀請觀者將鸚鵡人的地球旅程擬想場景延伸至迫近眼前的未來社會，一同對未來世界拋出詰問。

The exhibited five works, Information, Connection, Operation, Relation, and Love, have always been key elements in his artistic statement. In the journey of the “Future Archaeology” of Parrot men, these five words are the compass, which is supportive for the artist to reconcile the context of the abnormal contemporary phenomena and daily habits in the process of reflecting on our time and the imagination of technology. It also invites viewers to extend the parrot’s earth journey scenarios to the upcoming future society and to raise the questions to the future world.

Education

2011  MFA, Graduate Institute of Plastic Arts﹐Tainan National University of The Arts

2006  BA,Department of Art, National Changhua University of Education

Solo Show

2018

One-Man Mission, Galerie Grand Siècle, Taipei

The Journey of Explore – Private Collection Show, Jian Shan Construction, Kaohsiung

2017

Simulator Machine – Animation Solo Show, FZ Fifteen, Banqiao

Multiverse Explorer, Keumsan Gallery, Seoul

2016

Migrant, Tokyo Arts Gallery, Tokyo, Japan

Post-We, Galerie Grand Siècle, Taipei

2015

Simulator，ART.FAIR COLOGNE，Cologne Germany

HEX, Gallery NOMART, Osaka (Exchange Plan by Galerie Grand Siècle)

Criss-Cross, Gallery 44, Taipei (Exchange Plan by Galerie Grand Siècle)

2014

Biologist，Galerie Grand Siècle，Taipei

2013

Earth Guide，ART TAIPEI 2013，Taipei

Unmanned Aerial Vehicle-Tate Modern after the End of the World，NTMOFA， Taichung

Earth Archeology，Galerie Grand Siècle，Taipei

2012

Earth Research by Parrot-man，Art Studio，Taipei

2011

The Sight Burglar ‘s Adventure Beyond Boundary－

Teng-yuan Chang’s Solo Exhibition ，KMFA，Kaohsiung

Art Stage Singapore，Marina Bay Sands，Singapore

2010

Edge of the sight – After，Galerie Grand Siècle，Taipei

Edge of the sight，A7958 Contemporary Gallery，Taichung

Department of Experiment Eyeball，K’s Art contemporary space

2009

Department of Experiment Eyeball，Quan-Art，Taichung

2008

Works-Teng Yuan , Chang, Dynasty Art Gallery, Taipei

Group Exhibitions

2018

The Clues in the Garden, Rich Art gallery, Taichung

Meet Taiwan Contemporary Art at Twin Oaks, Twin Oaks Estate, Washington

All stars, Nomart gallery, Osaka

2017

What do you see, Taipei Economic Culture Office in New York, New York

10 years of Soka So Young, Soka Art Center, Taipei

Art Taipei 2017, Taipei World Trade Center, Taipei

Digital Art Festival 2017, Songshan Cultural and Creative Park, Taipei

2016

Taipei Biennial 2016, Taipei Fine Art Museum，Taipei

START ART FAIR, Saatchi Gallery, London

Very Addictive- Re extension of Aesthetics in Daily Life，MOCA Yinchuan， Liaoning，China

Young at Heart, Gallery f&f, Taipei

2015

The Silver Lining of Art, Galerie Grand Siècle, Taipei

ART 15，ART 15，London

Beaming Spring，Galerie Grand Siècle，Taipei

More information about artist, please contact us .