YIA ART FAIR#02
October 31 – November, 4 2019
Le Rivoli Building – 118 Rue de Rivoli,75001, PARIS
Opening: October 31, 12pm (Invited Guests Only)
V&E ART Stand: N1
黃建樺，2003年畢業於台灣藝術大學雕塑學系，2003至2006年於國立台南藝術大學造形藝術所就讀時轉而趨向影像創作，試圖將對實體時間空間的存在獨有看法帶入當代科技影像。現於國立台南藝術大學藝術創作理論研究所攻讀博士學位，持續對人類存在於影像時代的身分定位做探討。
近年來參與國內外各項主要展出包括《2005高雄獎》於高雄市立美術館、《INDEPENDANT@RICE+》於東京(日本，2005)、《城市曼波》於雪梨Stone Villa(澳洲，2006)、《第二種視野》於國立台灣美術館(台中，2008)、《永恆的成人遊戲工廠》於關渡美術館(台北，2008)、《粉樂町當代藝術展》(台北富邦藝術基金會，2008)、《2009YOUNG ART TAIPEI–台北國際當代藝術博覽會》及《輕度》於國立台灣美術館數位藝術方舟(台中，2009)。並於2008年於日本岐阜文化中心舉辦個展《我不乖》。主要獲獎紀錄為2003年台北美術獎優選、2005年高雄美術獎首獎、2008年國家文化藝術基金會國際交流補助。作品並獲高雄市立美術館、國立台灣美術館等典藏。
面對當代，黃建樺提到「我們在一個越出的變形弔詭世界中游移，我們樂在其中，而且已經樂到失去辨別判準的能力。」近年來，他持續觀察類閾界現象於媒體時代，由符碼、語言戲局、表徵體系所產出的影像動勢，在這數位時代視野的切換與相對應的生存經驗中，如何以直接而親密的方式和世人的智慧建立了關聯，進而凝塑出帶有脫序趣味的人性寓言。
Huang Chien-Hua received his BFA in 2003 from National Taiwan University of Arts, Department of Sculpture, and MFA in 2006 from Graduate Institute of Plastic Arts at Tainan National University of the Arts. During the time in Tainan, his work shifted towards image making. Huang conveys his view on time and space with contemporary digital photography. Currently he is a PhD candidate at the Tainan National University of the Arts, Department of Art Creation and Theory, continuing his investigation on the identity of human existence in an image driven age. His works are being exhibited internationally and are in the collection of Kaohsiung Museum of Fine Arts and National Taiwan Museum of Fine Arts.
In regard to contemporaneity, Huang Chien-Hua commented: “We are drifting in a paradoxical world. We find pleasure in it, but we lost our ability to discern.” He has extensively observed the liminoid phenomena through signage, word play, and representation in the media era; with experiences existing in a digital age and shifting perspectives, Huang relates to the world’s wisdom in the most intimate and direct way, and tells a disorderly yet delightful parable of human nature.
展出系列作品：編 碼 者 Transcoder
群眾們彼此駐足觀看,於眼神交集的瞬間引起了對多方關係的好奇,也在人們心中留下期待的景象。人們對於世界的想望,使遊樂園成為一座啟幕的舞台。
樂園機制的運作猶如社會架構的縮影,眼前的場景映現著對世界樣貌的想像與夢想的追尋,事件的描述源自於社群媒體的演繹與人們解讀訊息的自由,並透過遊戲體現出日常生活的行為與集體效應,成為反映文化樣態的詼諧模型。對應於動物們所呈顯的是人們存在於社會機制的身分關係,行為中隱藏著多重意圖與曖昧隱喻,情緒上更著微妙的自溺、戲謔與不合時宜的角色認同,而人們的臆測則開啟了對象與體制的權力劇場,劇情的開展於此邁向了自我價值的辨證旅程。
攝像操控所帶出的意識滑動與和影像所召喚出意外情感,引導著人們透過擬像自體再造的視覺經驗與無可定論的集體行為,持續地編寫著故事,透過漫遊與映射瞬時變換內心意象,部署迷人閃動的星叢語體。這是多幕彼此疊映與場景交錯的當代寓言,之中隱含著關於社會形態、生存機制與角色身份的相互指涉。透過聚集與現身,光、迴旋、動物們似乎在預告著人們將進入一個社群文化重新編碼的時代。
Exhibited Series of work: Transcoder
People make a stop to look at one another. Their eye contact arouses their genuine curiosity about such multilateral relationships that go so far as to conjure up visions for the future. The visualization people have of this world has turned the amusement park into a stage behind a rising curtain.
The operation of this amusement park is little less than a microcosm of the society. The scenes unfold before us, showing people’s mental power to picture the world and their pursuit of dreams. The descriptions of multifarious events are based on the algorithms of social media and users’ interpretations of messages. They embody quotidian routines and collective effects by means of games, thereby serving as the models that parody our cultural modality. The animals in this amusement park express people’s social identities; and their actions brim with deliberate intentions and ambiguous metaphors. Besides, they take on self-indulgent, bantering and mistimed role identities, and the game of power between the referents and the system begins with the viewers’ speculations. The plot unfolds thereafter as a dialectical voyage of defining self-value.
The consciousness-altering photo manipulation and the sentiment-arousing images shepherd the viewers to continuously write stories by means of autopoetic visual experiences and inconclusive collective actions, and to develop a fascinating, starry constellation of styles by conjuring up sudden visions through rambling and mapping. This is a contemporary allegory in which acts overlap and scenes intersect with one another. It contains mutual references among social structures, survival mechanisms and role identities. By virtue of rendezvous and appearance, the light, the carousel and the animals lingering in the amusement park seem to portend an era of re-coded social media culture.
主要個展
2018 《FOTOFEVER》,CARROUSEL DU LOUVRE,巴黎,法國。
2016 《編碼者》,INART SPACE,台南,台灣。
2015 《The Manipulator》,Okinawa Contemporary Art Center,沖繩,日本。
2012 《雜碎寓言》,INART SPACE,台南,台灣。
2010 《空景》,奧克蘭 UNITEC 大學,奧克蘭,紐西蘭。
2008 《我不乖》,岐阜文化中心,日本。
主要聯展
2019 《透視假面–甜楚現代性》,克拉斯諾亞爾斯克美術館,克拉斯諾亞爾斯克,俄羅斯。
2019 《影像焦慮》,國立台灣美術館,台中,台灣。
2018 《生活動物園》,人文遠雄博物館,新北,台灣
2018 《Fotofever – Photography Art Fair》,Carrousel du Louvre,巴黎,法國。
2018 《盛放台灣》,駐新加坡台北辦事處, 新加坡市,新加坡。
2018 《台北國際攝影節 – 境外・內爆》,中正紀念堂,台北,台灣。
2017 《Fotofever – Photography Art Fair》,Carrousel du Louvre,巴黎,法國。
2017 《「非常時期」非常廟二十週年展》,VT Artsalon,台北,台灣。
2017 《動物派對》,駁二藝術特區,高雄,台灣。
2016 《Fotofever – Photography Art Fair》,Carrousel du Louvre,巴黎,法國。
2016 《連州國際攝影年展》,廣東,中國。
2016 《時代的位移》,高雄市立美術館,高雄,台灣。
2015 《台北國際藝術博覽會》,台北世界貿易中心,台北,台灣。
2015 《夢・棲地 – 館藏青年藝術主題展》,國立台灣美術館,台中,台灣。
2014 《台北國際藝術博覽會》,台北世界貿易中心,台北,台灣。
2014 《日本台灣新世代藝術家交流展》,Artislong Gallery,京都,日本。
2003 《2003 台北美術獎》,台北市立美術館,台北,台灣。
獲獎
2012 獲選國立台灣美術館 Yes, Taiwan! 2012 Taiwan Biennial「台灣報到-台灣美術雙年展」參展藝術家。
2011 獲選國立台南藝術大學「DELTA 亞州生活手勢」出訪北京中央美術學院交流藝術家。
2010 獲選出訪亞洲紐西蘭基金會 Asia New Zealand Foundation 藝術家駐村計劃,台北國際藝術村。
2005 高雄美術獎,首獎。
2004 第 58 屆全省美展,雕塑類第三名。
2003 台北美術獎,優選。
典藏
白兔美術館,澳洲。
Psychic Temple,美國。
文化部藝術銀行,台灣。
高雄市立美術館,台灣。
國立台灣美術館,台灣。
Selected Solo Exhibitions
2018 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.
2016 Transcoder, INART Space, Tainan, Taiwan.
2015 The Manipulator, Okinawa Contemporary Art Center, Okinawa, Japan.
2012 Trivial Fables, INART Space, Tainan, Taiwan.
2010 BLANKSCAPE, UNITEC university, Auckland, New Zealand.
2008 I don’t follow the rules, Gifu City Culture Center, Japan.
Selected Group Exhibitions
2019 Behind the Mask: Rose of Modernity, Museum Center Krasnoyarsk, Krasnoyarsk, Russia.
2019 Anxiety of Images, National Taiwan Museum of Fine Arts, Taichung, Taiwan.
2018 Beyond Zoology:Humans and Animals, Farglory Museums, New Taipei, Taiwan.
2018 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.
2018 Taiwan in Full Bloom, Taipei Representative Office in Singapore, Singapore City, Singapore.
2018 TAIPEI PHOTO – External Impact X Internal Explosin, National Chiang Kai-Shek Memorial
Hall, Taipei, Taiwan.
2017 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.
2017 Very Period, VT Artsalon, Taipei, Taiwan.
2017 PIER ZOO, The Pier-2 Art Center, Kaohsiung, Taiwan.
2016 FOTOFEVER – Photography Art Fair, Carrousel du Louvre, Paris, France.
2016 Lianzhou Foto Fastival, Guangdong, China.
2016 Transition of Times, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan.
2015 Dreams – Habitations, , National Taiwan Museum of Fine Arts, Taichung, Taiwan.
2015 ART TAIPEI 2015, Taipei World Trade Center Hall, Taipei, Taiwan.
2014 The 2nd International Young Artists Exchange Exhibition JAPAN x TAIWAN, Artislong Gallery,
Kyoto, Japan.
2014 ART TAIPEI 2014, Taipei World Trade Center Hall, Taipei, Taiwan.
2003 Taipei Arts Award, Taipei Fine Arts Museum, Taipei, Taiwan.
Awards & Honors
2012 Participating Artists.Yes, Taiwan-Taiwan Biennial, National Taiwan Museum of Fine Arts.
2010 Residency artist, 2010 Internation Residence project for Asia New Zealand Foundation, Taipei
Artist Village.
2005 First Prize, Kaohsiung Awards 2005.
2004 Bronze Prize, The 58th Taiwan Provincial Fine Arts Exhibition.
2003 Honorable Mention, Taipei Arts Award.
Public Collection
White Rabbit Gallery, Sydney, Australia.
Psychic Temple,U.S.A.
Art bank, Ministry of Culture, Taiwan.
National Taiwan Museum of Fine Arts, Taiwan.
Kaohsiung Museum of Fine Arts, Taiwan.
